NEW YORK (CNS) — Veteran filmmaker Wim Wenders respectfully profiles the current successor of St. Peter in the well-crafted, sometimes moving documentary “Pope Francis: A Man of His Word” (Focus). Though Wenders also provides some narration, as his title suggests, he largely lets the pontiff speak for himself.
That approach pays off by allowing the audience to hear Francis’ views on a wide variety of topics of interest to believers and nonbelievers alike. These include the environment, the situation of young people, relations with the Islamic world, economic inequality and the clergy sex abuse crisis. Francis also sets out, in a general way, his vision for the future of the Church.
Along with original interviews with the pope conducted at the Vatican, Wenders incorporates footage of his worldwide travels, which have included trips to North and South America, Africa and, closer to home, Greece and the southern Italian city of Naples. We also see Francis answering questions from youngsters and, in a particularly touching scene, offering encouragement to the inmates of a prison.
Francis brings warmth to this grim setting and draws an emotional response from its presumably tough inhabitants by reminding his listeners that Christianity’s very first saint was the Good Thief. Moments like that one give viewers an insight into the personality, thinking and global influence of the first pontiff in the long history of the Church to hail both from the New World and from the Society of Jesus.
Wenders also dwells on the significance of another precedent-breaking choice, that of the papal name Francis. Luminous images of Assisi and an outline of the life of its most famous son provide context for what his medieval namesake likely represents to the 21st-century pope.
While Wenders is unstinting in his appreciation of Francis, he sometimes misguidedly attempts to highlight this pope’s qualities by contrasting them, at least implicitly, with what he perceives to be the shortcomings of Francis’ predecessors or of some members of the hierarchy. Thus the lavishly decorated public rooms of the Apostolic Palace are rather naively set out as unspoken evidence that previous popes liked to “live large.”